All qualifications and part qualifications registered on the National Qualifications Framework are public property. Thus the only payment that can be made for them is for service and reproduction. It is illegal to sell this material for profit. If the material is reproduced or quoted, the South African Qualifications Authority (SAQA) should be acknowledged as the source. |
SOUTH AFRICAN QUALIFICATIONS AUTHORITY |
REGISTERED UNIT STANDARD THAT HAS PASSED THE END DATE: |
Understand music business |
SAQA US ID | UNIT STANDARD TITLE | |||
243601 | Understand music business | |||
ORIGINATOR | ||||
SGB Music | ||||
PRIMARY OR DELEGATED QUALITY ASSURANCE FUNCTIONARY | ||||
- | ||||
FIELD | SUBFIELD | |||
Field 02 - Culture and Arts | Music | |||
ABET BAND | UNIT STANDARD TYPE | PRE-2009 NQF LEVEL | NQF LEVEL | CREDITS |
Undefined | Regular | Level 3 | NQF Level 03 | 8 |
REGISTRATION STATUS | REGISTRATION START DATE | REGISTRATION END DATE | SAQA DECISION NUMBER | |
Passed the End Date - Status was "Reregistered" |
2018-07-01 | 2023-06-30 | SAQA 06120/18 | |
LAST DATE FOR ENROLMENT | LAST DATE FOR ACHIEVEMENT | |||
2024-06-30 | 2027-06-30 |
In all of the tables in this document, both the pre-2009 NQF Level and the NQF Level is shown. In the text (purpose statements, qualification rules, etc), any references to NQF Levels are to the pre-2009 levels unless specifically stated otherwise. |
This unit standard does not replace any other unit standard and is not replaced by any other unit standard. |
PURPOSE OF THE UNIT STANDARD |
The learner studying this unit standard will gain an overview of the music business in its elementary (see supplementary information) interaction with the media, public and related role players.
Learners accredited with this Unit Standard will be capable of: |
LEARNING ASSUMED TO BE IN PLACE AND RECOGNITION OF PRIOR LEARNING |
It is assumed that a learner will be competent in:
|
UNIT STANDARD RANGE |
N/A |
Specific Outcomes and Assessment Criteria: |
SPECIFIC OUTCOME 1 |
Explain music related contracts. |
ASSESSMENT CRITERIA |
ASSESSMENT CRITERION 1 |
Basic content and terminology of a music-related contract are identified and explained according to industry practice. |
ASSESSMENT CRITERION 2 |
Terms of reference, obligations and consequences of breach of potential contracts between performers and music industry are explained. |
ASSESSMENT CRITERION RANGE |
Contract relate to, but is not limited to: Business manager, Personal manager, Live gig contract, Publicist, Publisher, Recording contract and merchandising contract. |
ASSESSMENT CRITERION 3 |
Issues pertaining to key members of a musical unit, its deficits and use of brand name are described in the music industry context. |
ASSESSMENT CRITERION 4 |
Use of song writing credits and royalty division on songs, recording and live performance is explained in the music industry context. |
SPECIFIC OUTCOME 2 |
Explain basic copyright implications. |
ASSESSMENT CRITERIA |
ASSESSMENT CRITERION 1 |
Copyright is explained with regard to obligations and responsibilities of music role players. |
ASSESSMENT CRITERION 2 |
Use of copyright is explained in terms of consequences for contract parties. |
ASSESSMENT CRITERION 3 |
Copyright origin and development is described according to the music industry. |
ASSESSMENT CRITERION 4 |
Copyright incomes are defined in the context of the music industry. |
SPECIFIC OUTCOME 3 |
Identify the roles of key music industry personnel associated with the artist. |
ASSESSMENT CRITERIA |
ASSESSMENT CRITERION 1 |
The role and income sources of a personnel manager are explained in the context of the music industry. |
ASSESSMENT CRITERION 2 |
The role and income sources of a business manager are explained in the context of the music industry. |
ASSESSMENT CRITERION 3 |
The role and income sources of an agent are explained in the context of the music industry. |
ASSESSMENT CRITERION 4 |
The role and income sources of a publicity agent are explained in the context of the music industry. |
SPECIFIC OUTCOME 4 |
Identify marketing in the music industry. |
ASSESSMENT CRITERIA |
ASSESSMENT CRITERION 1 |
The fundamentals of marketing are described in relation to the music business. |
ASSESSMENT CRITERION 2 |
Market research for a live gig/performance is conducted and noted according to provider specifications. |
ASSESSMENT CRITERION 3 |
Basics of marketing for a gig is identified and packaged in accordance with music organisational processes. |
ASSESSMENT CRITERION RANGE |
Marketing components include, but are not limited to: product, price, placement, promotion and people. |
ASSESSMENT CRITERION 4 |
Simple promotional tools for a gig are explained and presented in accordance with organisational requirements. |
ASSESSMENT CRITERION RANGE |
Promotional tools include, but is not limited to three of the following: poster, flyer, newspaper advert, internet site and radio promotion. |
UNIT STANDARD ACCREDITATION AND MODERATION OPTIONS |
UNIT STANDARD ESSENTIAL EMBEDDED KNOWLEDGE |
The embedded knowledge underpinning this unit standard is:
|
UNIT STANDARD DEVELOPMENTAL OUTCOME |
N/A |
UNIT STANDARD LINKAGES |
N/A |
Critical Cross-field Outcomes (CCFO): |
UNIT STANDARD CCFO IDENTIFYING |
Identifying and solving problems in which responses display that responsible decisions using critical and creative thinking have been made in marketing music performances. |
UNIT STANDARD CCFO WORKING |
Working effectively with others as member of the team in applying the marketing strategy of a band or artist. |
UNIT STANDARD CCFO ORGANISING |
Organising and managing oneself and one's activities responsibly while considering basic copyright implications. |
UNIT STANDARD CCFO COMMUNICATING |
Communicating effectively by using language skills in the modes of oral and/or written persuasion in marketing a band or artist. |
UNIT STANDARD CCFO SCIENCE |
Using science and technology effectively and critically, showing responsibility towards the environment and health of others by demonstrating an understanding of the handling and usage of musical instruments. |
UNIT STANDARD CCFO CONTRIBUTING |
Being culturally and aesthetically sensitive across a range of musical contexts. |
UNIT STANDARD ASSESSOR CRITERIA |
N/A |
REREGISTRATION HISTORY |
As per the SAQA Board decision/s at that time, this unit standard was Reregistered in 2012; 2015. |
UNIT STANDARD NOTES |
Supplementary Information:
|
QUALIFICATIONS UTILISING THIS UNIT STANDARD: |
ID | QUALIFICATION TITLE | PRE-2009 NQF LEVEL | NQF LEVEL | STATUS | END DATE | PRIMARY OR DELEGATED QA FUNCTIONARY | |
Core | 58143 | National Certificate: Music Industry Practice | Level 3 | NQF Level 03 | Passed the End Date - Status was "Reregistered" |
2023-06-30 | CATHSSETA |
PROVIDERS CURRENTLY ACCREDITED TO OFFER THIS UNIT STANDARD: |
This information shows the current accreditations (i.e. those not past their accreditation end dates), and is the most complete record available to SAQA as of today. Some Primary or Delegated Quality Assurance Functionaries have a lag in their recording systems for provider accreditation, in turn leading to a lag in notifying SAQA of all the providers that they have accredited to offer qualifications and unit standards, as well as any extensions to accreditation end dates. The relevant Primary or Delegated Quality Assurance Functionary should be notified if a record appears to be missing from here. |
NONE |
All qualifications and part qualifications registered on the National Qualifications Framework are public property. Thus the only payment that can be made for them is for service and reproduction. It is illegal to sell this material for profit. If the material is reproduced or quoted, the South African Qualifications Authority (SAQA) should be acknowledged as the source. |