All qualifications and part qualifications registered on the National Qualifications Framework are public property. Thus the only payment that can be made for them is for service and reproduction. It is illegal to sell this material for profit. If the material is reproduced or quoted, the South African Qualifications Authority (SAQA) should be acknowledged as the source. |
SOUTH AFRICAN QUALIFICATIONS AUTHORITY |
REGISTERED UNIT STANDARD THAT HAS PASSED THE END DATE: |
Mix sound in a monitored environment |
SAQA US ID | UNIT STANDARD TITLE | |||
114525 | Mix sound in a monitored environment | |||
ORIGINATOR | ||||
SGB Music Industry | ||||
PRIMARY OR DELEGATED QUALITY ASSURANCE FUNCTIONARY | ||||
- | ||||
FIELD | SUBFIELD | |||
Field 02 - Culture and Arts | Music | |||
ABET BAND | UNIT STANDARD TYPE | PRE-2009 NQF LEVEL | NQF LEVEL | CREDITS |
Undefined | Regular | Level 5 | Level TBA: Pre-2009 was L5 | 12 |
REGISTRATION STATUS | REGISTRATION START DATE | REGISTRATION END DATE | SAQA DECISION NUMBER | |
Passed the End Date - Status was "Reregistered" |
2018-07-01 | 2023-06-30 | SAQA 06120/18 | |
LAST DATE FOR ENROLMENT | LAST DATE FOR ACHIEVEMENT | |||
2026-06-30 | 2029-06-30 |
In all of the tables in this document, both the pre-2009 NQF Level and the NQF Level is shown. In the text (purpose statements, qualification rules, etc), any references to NQF Levels are to the pre-2009 levels unless specifically stated otherwise. |
This unit standard does not replace any other unit standard and is not replaced by any other unit standard. |
PURPOSE OF THE UNIT STANDARD |
The purpose of this unit standard is to enable learners to:
The unit standard contributes to the competence of those learners who want to pursue a career in Sound Engineering, and contribute to greater levels of competence, and thus productivity and quality in the Music Industry. |
LEARNING ASSUMED TO BE IN PLACE AND RECOGNITION OF PRIOR LEARNING |
The following competencies are assumed for a learner embarking on the unit standard:
|
UNIT STANDARD RANGE |
The range of this Unit Standard is reflected in the Specific Outcomes and Assessment Criteria. |
Specific Outcomes and Assessment Criteria: |
SPECIFIC OUTCOME 1 |
Identify sound mixing processes for sound preparation. |
ASSESSMENT CRITERIA |
ASSESSMENT CRITERION 1 |
Mixing requirements are identified, accurately. |
ASSESSMENT CRITERION 2 |
External effects are identified, accurately. |
ASSESSMENT CRITERION 3 |
Dynamic processors are identified, accurately. |
ASSESSMENT CRITERION 4 |
Equipment is selected which is suited to the application. |
SPECIFIC OUTCOME 2 |
Identify and select analogue mixing formats for sound preparation. |
ASSESSMENT CRITERIA |
ASSESSMENT CRITERION 1 |
Analogue recording format is selected which is suited to the application. |
ASSESSMENT CRITERION 2 |
Analogue tape and speed is selected which is suited to the application. |
ASSESSMENT CRITERION 3 |
Timecodes and slates are striped onto tape, correctly. |
ASSESSMENT CRITERION 4 |
signal to error ratios are maintained, optimally. |
ASSESSMENT CRITERION 5 |
Professional tape machine is aligned, optimally. |
SPECIFIC OUTCOME 3 |
Identify and select digital mixing formats for sound preparation. |
ASSESSMENT CRITERIA |
ASSESSMENT CRITERION 1 |
A digital recording format is selected which is suited to the application. |
ASSESSMENT CRITERION 2 |
Digital headroom is determined, accurately. |
ASSESSMENT CRITERION 3 |
Digital resolution are identified, accurately. |
ASSESSMENT CRITERION 4 |
Sample rates are identified, accurately. |
ASSESSMENT CRITERION 5 |
Signal to error ratios are maintained to ensure optimal compliance to sound requirements. |
SPECIFIC OUTCOME 4 |
Identify and select an environment to monitor the sound. |
ASSESSMENT CRITERIA |
ASSESSMENT CRITERION 1 |
A monitoring system is utilised which is sonicly neutral. |
ASSESSMENT CRITERION 2 |
Reference music is selected accurately to the context. |
ASSESSMENT CRITERION 3 |
Test tones are utilised to assess the environment. |
ASSESSMENT CRITERION 4 |
Adjustments are identified as indicated by reference music and test tones. |
SPECIFIC OUTCOME 5 |
Identify and select digital audio workstation for mixing sound. |
ASSESSMENT CRITERIA |
ASSESSMENT CRITERION 1 |
A digital audio workstation is selected which is suited to the application. |
ASSESSMENT CRITERION 2 |
Digital adjustments are performed to meet the sound requirements. |
ASSESSMENT CRITERION 3 |
An stereo master level is achieved which is optimal for the application. |
ASSESSMENT CRITERION 4 |
A digital stereo recording is created in accordance with quality requirements. |
SPECIFIC OUTCOME 6 |
Mix multitrack to stereo and monitor post tape from stereo recorder to maintain sound quality. |
ASSESSMENT CRITERIA |
ASSESSMENT CRITERION 1 |
Signal level is achieved and maintained at an optimal level. |
ASSESSMENT CRITERION 2 |
Dynamics is achieved through compression recorded at optimal level. |
ASSESSMENT CRITERION 3 |
A post tape monitoring system is set up which is suited to the application. |
ASSESSMENT CRITERION 4 |
A monitoring environment is set up which is sonicly neutral. |
UNIT STANDARD ACCREDITATION AND MODERATION OPTIONS |
UNIT STANDARD ESSENTIAL EMBEDDED KNOWLEDGE |
Credited learners understand and can explain:
|
UNIT STANDARD DEVELOPMENTAL OUTCOME |
N/A |
UNIT STANDARD LINKAGES |
N/A |
Critical Cross-field Outcomes (CCFO): |
UNIT STANDARD CCFO IDENTIFYING |
Identify and solve problems when digital adjustments are performed. |
UNIT STANDARD CCFO ORGANISING |
Employ self management when creating a digital stereo recording. |
UNIT STANDARD CCFO COLLECTING |
Manage information a digital stereo recording is created. |
UNIT STANDARD CCFO SCIENCE |
Demonstrate scientific and technological competence when mixing sound in general. |
UNIT STANDARD CCFO DEMONSTRATING |
Understand Contextual world -systems when selecting a digital audio workstation. |
UNIT STANDARD ASSESSOR CRITERIA |
N/A |
REREGISTRATION HISTORY |
As per the SAQA Board decision/s at that time, this unit standard was Reregistered in 2012; 2015. |
UNIT STANDARD NOTES |
N/A |
QUALIFICATIONS UTILISING THIS UNIT STANDARD: |
ID | QUALIFICATION TITLE | PRE-2009 NQF LEVEL | NQF LEVEL | STATUS | END DATE | PRIMARY OR DELEGATED QA FUNCTIONARY | |
Core | 48671 | National Certificate: Music Industry: Sound Technology | Level 5 | Level TBA: Pre-2009 was L5 | Passed the End Date - Status was "Reregistered" |
2023-06-30 | MICTS |
Elective | 58394 | National Certificate: Film and Television Production | Level 5 | Level TBA: Pre-2009 was L5 | Passed the End Date - Status was "Reregistered" |
2023-06-30 | MICTS |
PROVIDERS CURRENTLY ACCREDITED TO OFFER THIS UNIT STANDARD: |
This information shows the current accreditations (i.e. those not past their accreditation end dates), and is the most complete record available to SAQA as of today. Some Primary or Delegated Quality Assurance Functionaries have a lag in their recording systems for provider accreditation, in turn leading to a lag in notifying SAQA of all the providers that they have accredited to offer qualifications and unit standards, as well as any extensions to accreditation end dates. The relevant Primary or Delegated Quality Assurance Functionary should be notified if a record appears to be missing from here. |
1. | BLC Entertainment |
2. | Epitome Villa (Pty)Ltd |
3. | EYETHU NATIONAL COMPUTER COLLEGE PTY LTD |
4. | Facilitation Development (PTY) LTD |
5. | FILM Mentorship & Training SA |
6. | Frayintermedia Cc |
7. | Jeppe College of Commerce and |
8. | MBOWA COLLEGE PTY LTD |
9. | Media Village Training |
10. | Metanoia Ratings PTY LTD |
11. | OL Afrika Media |
12. | OPELONG BUSINESS INSTITUTE (PT |
13. | Peo Entle HIV Wellness Management and Youth Skills Development NPO |
14. | PRX SCHOOL TEST |
15. | Q-NOTE DIGITAL MUSIC ACADEMY |
16. | Richfield Graduate Institute of Technology Pty Ltd |
17. | SOUTH AFRICAN CORPORATE TRAINING ASSOCIATION (PTY) LTD |
18. | VUTHLARI MARKETING CONSULTING |
19. | ZA WIT (PTY) LTD |
All qualifications and part qualifications registered on the National Qualifications Framework are public property. Thus the only payment that can be made for them is for service and reproduction. It is illegal to sell this material for profit. If the material is reproduced or quoted, the South African Qualifications Authority (SAQA) should be acknowledged as the source. |