SAQA All qualifications and part qualifications registered on the National Qualifications Framework are public property. Thus the only payment that can be made for them is for service and reproduction. It is illegal to sell this material for profit. If the material is reproduced or quoted, the South African Qualifications Authority (SAQA) should be acknowledged as the source.
SOUTH AFRICAN QUALIFICATIONS AUTHORITY 
REGISTERED QUALIFICATION: 

Bachelor of Arts in Graphic Design 
SAQA QUAL ID QUALIFICATION TITLE
123865  Bachelor of Arts in Graphic Design 
ORIGINATOR
Academic Institute of Excellence (Pty) Ltd 
PRIMARY OR DELEGATED QUALITY ASSURANCE FUNCTIONARY NQF SUB-FRAMEWORK
CHE - Council on Higher Education  HEQSF - Higher Education Qualifications Sub-framework 
QUALIFICATION TYPE FIELD SUBFIELD
National First Degree  Field 02 - Culture and Arts  Visual Arts 
ABET BAND MINIMUM CREDITS PRE-2009 NQF LEVEL NQF LEVEL QUAL CLASS
Undefined  360  Not Applicable  NQF Level 07  Regular-Provider-ELOAC 
REGISTRATION STATUS SAQA DECISION NUMBER REGISTRATION START DATE REGISTRATION END DATE
Registered  EXCO 0429/25  2025-02-04  2027-06-30 
LAST DATE FOR ENROLMENT LAST DATE FOR ACHIEVEMENT
2030-06-30   2034-06-30  

In all of the tables in this document, both the pre-2009 NQF Level and the NQF Level is shown. In the text (purpose statements, qualification rules, etc), any references to NQF Levels are to the pre-2009 levels unless specifically stated otherwise.  

This qualification replaces: 
Qual ID Qualification Title Pre-2009 NQF Level NQF Level Min Credits Replacement Status
62760  Bachelor of Arts in Graphic Design  Level 6  NQF Level 07  360  Complete 

PURPOSE AND RATIONALE OF THE QUALIFICATION 
Purpose:
The purpose of the Bachelor of Arts in Graphic Design qualification is to develop learners into competent and employable designers that specialise in print-based communication. The qualification emphasises the ability to form, create and rationalise both design and theoretical argument; as well as the ability to implement and critique print-based design processes. The qualification further provides a theoretical and practical foundation in print-based communication for further study.

The qualification is structured to facilitate learners' awareness of the interrelationship of the many facets that lead to professional and responsible design. The various subjects (Principles and Theory of Graphic Design, Communication, Technology and Professional Practice and Critical Studies) aim to develop specific abilities, skills and bodies of knowledge, and are therefore integrated into projects supported by research and formal lectures. Projects/assignments become successively more complex, demanding increasing breadth and depth of research and analysis, and higher levels of perspicuity and sophistication in meeting the criteria of the set task. Critical Studies, although largely structured as a linear qualification, supports the theory and practice of design by locating it within contemporary discourses. Learners are also exposed to the working environment in each level of study.

The first year of study serves as a foundation in the broad principles of communication design. It acquaints learners with holistic principles common to graphic design and visual communication and develops communication skills and allows for experimentation in a wide variety of media. Toward the end of the year, learners begin to learn in a more focused way the structure of the graphic design field to prepare them for the demands of second year. The second year is more graphic design-specific by comparison in that learners are exposed to design methodologies and problems pertinent to the field. In the third year, learners are taught to critique and challenge more complex graphic design problems.

Overall, the above purpose and structure of the qualification contribute towards the intended outcomes as follows. Throughout the three years of study, the core of the qualification is made up of two principal classes that correspond to the practical and the theoretical research components of the qualification as described above.

In the practical supervised studio classes, learners execute design projects that mirror the practice in industry. The learning is experiential, hands-on, authentic, and requires learners to engage with problem-solving and creative thinking tools. Learners repeatedly apply the design process; critiquing others' work as well as their own. Each project presents a different theme or type of output which exposes learners to the fundamentals of the discipline.

Upon completion of the qualification, a qualifying learner will be able to:
  • Analyse, research, conceptualise and produce creative and conceptual design solutions to complex design problems, within a traditional print-based context.
  • Communicate design messages critically, using a variety of visual communication methodologies and predominantly print technologies.
  • Create and present a professional print-based design portfolio which critically reflects a personal design philosophy and a socially responsible engagement.
  • Operate graphic design related computer hardware and software at an industry level.
  • Articulate and represent ideas and arguments, which reflect an understanding of graphic design practices within design discourse
  • Conduct and evaluate research in order to create logical design arguments

    Rationale:
    The rationale for the qualification is largely motivated by professional and academic reasons. Learners who are awarded this qualification will be qualified to work within the Graphic and Visual Communication Design industry. They will also have completed an academic programme that is aligned with international standards and industry expectations. While design continues to evolve as a discipline, print-based visual communication and graphic design remain an important part of the broader discipline.

    There is, therefore, a need for qualifications to offer opportunities for education and employment in print-based visual communication (which includes corporate identity design, poster design, editorial design, packaging, typography and type design) while still providing for the intellectual, creative and social growth of the student. In line with this, the qualification outline describes the aims of the programme as follows, to:
  • develop competent and employable graphic design learners.
  • enable students to form, create and rationalise design and theoretical arguments, located within the scope of visual culture.
  • provide a theoretical and practical foundation in visual communication, for further study.
  • enable learners to implement, evaluate and critique visual communication processes with an aim to create visually literate graphic designers.
  • locate the role of the graphic designer within the professional and workplace arena.

    Design is a constantly evolving and dynamic discipline. The professionally trained designer applies intent to create the visual, material, spatial and digital environment, cognizant of the experiential, employing interdisciplinary and hybrid approaches to the theory and practice of design. They understand the cultural, ethical, social, economic and ecological impact of their endeavours and their ultimate responsibility towards people and the planet across both commercial and non-commercial spheres. A designer respects the ethics of the design profession.

    In addition, the rationale for the qualification is also to further the academic discipline of Graphic or Visual Communication Design, which has its roots as a vocational discipline. In this respect, the institution is feeding the national move to reinforce the academic nature of Graphic or Visual Communication Design which is already established internationally. The qualification therefore feeds into the Bachelor of Arts Honours programmes, allowing students to pursue further qualifications.

    The application to offer it as a contact and distance learning programme also serves to extend the institution's offerings and to open new avenues for providing essential teaching and learning for an uncertain future. This also serves to widen access to higher education, is inclusive of a more diverse student body and is an increasingly relevant mode of delivery in a world upended by the Covid-19 pandemic. 

  • LEARNING ASSUMED TO BE IN PLACE AND RECOGNITION OF PRIOR LEARNING 
    Recognition of Prior Learning (RPL):

    The Institutions policy on Recognition of Prior Learning makes provision for admission into the qualification based on the qualifications and experience other than those noted in the admission criteria.

    The policy caters for learners who have not met the automatic admission requirements, namely National Senior Certificate (NSC) with a minimum of 50% in English. In brief, applicants are first screened for eligibility, which in essence checks whether they have some experience over and beyond the National Senior Certificate.

    Once eligibility is confirmed, applicants are given a brief detailing the kinds of evidence to submit as part of a portfolio of evidence. The intention is to determine that they have the necessary competencies to succeed in the undergraduate qualification. This is typically a basic drawing exercise and an assessment of English proficiency.

    Entry Requirements:
    The minimum entry requirement for this qualification is:
  • National Senior Certificate, NQF Level 4 granting access to Bachelor studies.
    Or
  • National Certificate Vocational, NQF Level 4, granting access to Bachelor studies
    Or
  • Senior Certificate, NQF Level 4 with endorsement. 

  • RECOGNISE PREVIOUS LEARNING? 

    QUALIFICATION RULES 
    This qualification consists of the following compulsory modules at National Qualifications Framework Levels 5, 6, and 7, totalling 360 credits.

    Compulsory Modules, Level 5, 120 Credits:
  • Principles and Theory of Design I, 30 Credits.
  • Communications I, 30 Credits.
  • Technology and Professional Practice I, 30 Credits.
  • Critical Studies I, 30 Credits.

    Compulsory Modules, Level 6, 120 Credits:
  • Principles and Theory of Design II 30 Credits.
  • Communications II, 30 Credits.
  • Technology and Professional Practice II, 30 Credits.
  • Critical Studies II, 30 Credits.

    Compulsory Modules, Level 7, 120 Credits:
  • Principles and Theory of Design III, 30 Credits.
  • Technology and Professional Practice III, 30 Credits.
  • Communications III, 30 Credits.
  • Critical Studies III, 30 Credits. 

  • EXIT LEVEL OUTCOMES 
    1. Analyse, research, conceptualise and produce creative and conceptual design solutions to complex design problems, within a traditional print-based context.
    2. Communicate design messages critically, using a variety of visual communication methodologies and predominantly print technologies.
    3. Create and present a professional print-based design portfolio which critically reflects a personal design philosophy and a socially responsible engagement.
    4. Operate graphic design related to computer hardware and software at an industry level.
    5. Articulate and represent ideas and arguments, which reflect an understanding of graphic design practices within design discourse.
    6. Conduct and evaluate research to create logical design arguments. 

    ASSOCIATED ASSESSMENT CRITERIA 
    Associated Assessment Criteria for Exit Level Outcome 1:
  • Critically engage with and justify application of design principles and design elements as they pertain to Graphic design practice.
  • Critically analyse and integrate precedent into practical graphic design practice, as reflected through an applied design process (through concept work, visual diary, critical rationale, etc.).
  • Synthesise conceptual and practical application of content specific design (linking the big idea to meet the demands of the client and target audience)

    Associated Assessment Criteria for Exit Level Outcome 2:
  • Produce designs which reflect creative manipulation of two-dimensional print based and three-dimensional packaging design principles and elements.
  • Illustrate refined observational and interpretation skills, using a variety of media and/or technologies.
  • Illustrate a practical understanding of the difference between readability and legibility in a variety of graphic design applications (such as typographic application in refining the communicative value of posters, logos and print advertisements).

    Associated Assessment Criteria for Exit Level Outcome 3:
  • Identify, modify and challenge existing graphic design terminology and methodology, through appropriate documentation and application, (associated with an understanding of established graphic design conventions in image creation and print reproduction).
  • Critique the conceptual and creative abilities and reflect these through a visual diary and/or concept book.
  • Identify, make judgements on, and demonstrate an awareness of socially responsible and sustainable design.
  • Critique and justify experimentation with established print technologies and media, such as specialized inks and papers, in order to communicate a desired message.
  • Justify and apply appropriate print techniques and print media to communicate relevant subject matter and a developed personal style.
  • Organise, document and apply resource management strategies (time management, teamwork, contact with lecturers, use of library facilities and computers, etc.) developed throughout the year.
  • Locate your own design practice within the graphic design profession and other creative production industries and reflect on its implications on personal development.

    Associated Assessment Criteria for Exit Level Outcome 4:
  • Critically craft and manipulate design output, such as packaging and typographic execution, according to professional level expectations (with special attention to detail in final presentations, including spelling, image quality, grammar, and finish).
  • Illustrate practical competence in design applications relevant to chosen design industry (including Photoshop, Illustrator and InDesign).
  • Research and apply existing print-based technologies which reflect an understanding of professional design practice (theories and application of print production).

    Associated Assessment Criteria for Exit Level Outcome 5:
  • Illustrate an understanding of advanced visual culture theory as it applies to Marxian media studies, feminist and post-colonial discourses as well as post-humanist theories in relation to design and visual culture.
  • Apply knowledge and illustrate an understanding of internalization of theory in their design practice.

    Associated Assessment Criteria for Exit Level Outcome 6:
  • Source, analyse and implement research data to inform critical arguments.
  • Situate an argument within various discourses addressing design and visual culture.
  • Structure and communicate knowledge clearly and logically in writing following the institution's prescribed referencing style format.

    INTEGRATED ASSESSMENT
    The teaching methodology for the practical aspects is project-based, whilst written assignments such as summaries and essays are used for the theoretical aspects. Briefs vary from 2 to 4 weeks in length, totalling 12 assignments over the year.

    Given that lecturers are allowed to adjust the briefs, deadlines and outputs depending on the progress of students (for example in response to unexpected poor performance in particular areas), the length and therefore the number of projects may vary. For the Critical Studies subject, students are expected to submit two assignments (summaries or essays) per quarter.

    Formative Assessment:
    All assignments are assessed and returned to learners within three weeks via the online learning platform, Microsoft Teams, to provide formative continuous assessment.
    These marks are separately captured by academic staff on the learner information management system.

    Summative Assessment:
    At mid-year and end of year, learners submit a full portfolio of all work completed to date. The portfolio is reviewed to determine that the marks awarded are fair. The results of the portfolio reviews, as moderated, comprise the official summative results that appear on the students' academic transcript.

    Internal and external moderation:
    Both internal and external moderation take place during the final moderation period at the end of the year. Academics involved in similar programmes are invited to attend the end of year portfolio review in order to comment on the fairness of the assessment and to benchmark the programme.

    These external moderators moderate a sample of work which represents a range from each level of achievement, and includes all borderline fails, borderline distinctions/first class passes and potential candidates for postgraduate studies. A Verifier is present during this process as an additional measure to ensure that the assessment processes are correctly followed, and to comment on international standards. The assessment policy details the roles and responsibilities of the moderators and verifiers. 

  • INTERNATIONAL COMPARABILITY 
    The institution has extensive international relationships through which it can benchmark and compare its qualifications against international ones. It is affiliated with leading international organisations including: The International Association of Universities and Colleges of Art, Design and Media (Cumulus) which is by invitation only; The International Council of Design (Ico-D), formerly the International Council for Graphic Design Associations (Icograda); The Pan African Design Institute (PADI); The International Federation of Interior Designers / Architects (IFI); and the African Institute of the Interior Design Professions (IID).

    Through these relationships, the institution has its qualifications and learner portfolios benchmarked each year during the end of year moderation process by international verifiers who have included past presidents of the IFI, Ico-D and the European Union of Architects. 

    ARTICULATION OPTIONS 
    Horizontal Articulation:
  • Advanced Diploma in Graphic Design, NQF Level 7.
  • Bachelor of Communication Design, NQF Level 7.
  • Bachelor of Design in Visual Communication Design, NQF Level 7.
  • Bachelor of Design in Visual Communication Design, NQF Level 7.

    Vertical Articulation:
  • Bachelor of Arts Honours in Graphic Design, NQF Level 8.
  • Bachelor of Design Honours in Visual Communication Design, NQF Level 8.
  • Bachelor of Arts Honours in Design, NQF Level 8.
  • Postgraduate Diploma in Design, NQF Level 8.
  • Postgraduate Diploma in Graphic Design, NQF Level 8.

    Diagonal Articulation:
    There is no diagonal articulation for this qualification. 

  • MODERATION OPTIONS 
    N/A 

    CRITERIA FOR THE REGISTRATION OF ASSESSORS 
    N/A 

    NOTES 
    N/A 

    LEARNING PROGRAMMES RECORDED AGAINST THIS QUALIFICATION: 
    When qualifications are replaced, some (but not all) of their learning programmes are moved to the replacement qualifications. If a learning programme appears to be missing from here, please check the replaced qualification.
     
    NONE 


    PROVIDERS CURRENTLY ACCREDITED TO OFFER THIS QUALIFICATION: 
    This information shows the current accreditations (i.e. those not past their accreditation end dates), and is the most complete record available to SAQA as of today. Some Primary or Delegated Quality Assurance Functionaries have a lag in their recording systems for provider accreditation, in turn leading to a lag in notifying SAQA of all the providers that they have accredited to offer qualifications and unit standards, as well as any extensions to accreditation end dates. The relevant Primary or Delegated Quality Assurance Functionary should be notified if a record appears to be missing from here.
     
    1. Academic Institute of Excellence (Pty) Ltd 



    All qualifications and part qualifications registered on the National Qualifications Framework are public property. Thus the only payment that can be made for them is for service and reproduction. It is illegal to sell this material for profit. If the material is reproduced or quoted, the South African Qualifications Authority (SAQA) should be acknowledged as the source.